We See Wir Sehen
performance-intervention (2024), film (15’, 2025)
created with Adi Liraz
WE SEE WIR SEHEN staged simultaneous anti-war interventions in public space in Ioannina, Greece and Berlin, Germany at the height of the Gaza Genocide. The interventions stage and interpret figurations of Synagoga, an ancient pan-European representation of Judaism as a blindfolded woman that often appeared in the carved stone of major urban cathedrals and churches. Two women performed Synagoga in the respective sites from which their ancestors were deported to their murder.
Intervention Handout
19 Adar 5784
WE SEE / WIR SEHEN / ΕΜΕΙΣ ΒΛΕΠΟΥΜΕ / אנחנו רואות / نحن نرى
On Erev Shabbat, on Iftar, on Good Friday, we sit, our backs to Lake Ioannina, staring at Mavili Square, where, on 25 March 1944, all Jews of Ioannina, among them Nelly + Rivka + Annetta + Nissim + others in Adi’s family, were deported, on trucks, by Nazi occupiers, + sent to Auschwitz-Birkenau, thorough Larissa, + then Thessaloniki, by train, to their deaths, we are blindfolded, we walk, in Berlin, hovering Westhafen Station, to the former Putlitzstraße Station, where, on 3 February 1943, Jewish families of Mitte, among them Erna and Martin, Eliana’s great grandparents, were forced from their homes, which had been converted into ghetto, + deported, on trains, + sent to Auschwitz-Birkenau, to their deaths, we are blindfolded,
Gaza my love, we see.
In Erfurt, Freiburg, Minden, Bamberg, Strasbourg, Notre Dame, Canterbury, for a thousand years, your cathedrals showed us to you in the body of a woman blindfolded, you named her Synagoga, she stood, in submission, holding broken things, beside you, victorious, in the body of a woman, not blindfolded, named Ecclesia, we saw inside ourselves, Martin Luther, founder of Protestantism, peasant-slayer, told you we see our Talmud (our Diasporas) inside a pig’s ass, we were blindfolded, we saw inside ourselves, Luther told you we lie, Luther told you burn and bury through everything of us, Gaza my love, we see.
In Ioannina, 1611, after the uprising of Dionysios Philosophos, of Orthodox peasants + shepherds, the massacre of Jews + Muslims, against one empire’s exploitations + supported by another’s, near Lake Ioannina, you say you see, among the rocks, the old Jewish woman, blindfolded, who spied him, called Ottoman rulers, for his execution, as with Jesus, 2,024 years ago, you say you see, whose crucifixion nails, you say you see, even after our genocides, were made by Romani, then you were expelled, from within Ioannina’s walls, + replaced by us, for a time, who then, blindfolded, came inside, Gaza my love, we see.
Facing the genocide of Palestinians perpetrated by the State of Israel, we, carrying these stories, refuse the fascism forced on Jews by Nationalists + Philosemites, you tell us we lie, 30.000 murdered, 13.000 children, 1.8 million displaced, 700,000 in most severe starvation, 1.3 million in acute hunger facing it, 70% homes destroyed, 1 million ghettoized in Rafah waiting invasion, you tell us we lie, you tell us burn + bury through infants in incubators, water, universities, hospitals, poets, flour or we blaspheme Nelly + Rivka + Annetta + Nissim + Erna + Martin or we’re not ourselves, you blindfold us, Gaza my love, we see you inside ourselves.
—Adi Liraz, Eliana Pliskin Jacobs, Robert Yerachmiel Sniderman
Credits
Directors: Adi Liraz, Robert Yerachmiel Sniderman
Performers: Adi Liraz, Eliana Pliskin Jacobs
Photography: Mudar Al-Khufash, Lina Kalantaridou
Film
Directors: Adi Liraz, Jana Papenbrook, Eliana Pliskin Jacobs, Robert Yerachmiel Sniderman
Editor: Jana Papenbroock
Camera: Mudar Al-Khufash, Jana Papenbrook, Chrysanthos Konstatinidis, Vagelis Zikos
Exhibition History
27-29 June 2025. TRANSDIASPORA, 48 Stunden Neukölln Festival. Berlin, Germany.
Screening
2025, Λοφος Art Project, Athens, Greece
Media
“The only place to reflect critically is on the streets” by Sarah Adler (The Berlin Left, 2024)
Artist Talk
Robert Yerachmiel Sniderman. "Works Against Genocide: Gaza, Shoah, Oak Anfal." 17 April 2024, College of Fine and Performing Arts: Department of Art & Art History and Fairhaven College of Interdisciplinary Studies, Western Washington University.
48 Stunden Neukölln, 2025
Collaborators' Biographies
Adi Liraz (she/her) is an interdisciplinary visual artist and educator working between Berlin, Germany, and Ioannina, Greece. She holds a BFA from Bezalel Academy of Art and Design, Jerusalem, and an MA from Kunsthochschule Berlin Weißensee ("Art in Public Context, Spatial Strategies"). Her work has been exhibited and performed at District Berlin, SAVVY Contemporary, Jewish Museum Berlin, Berlin Biennale 11, King’s College London, Hebbel am Ufer, Tanzquartier Vienna, Kapatos Gallery Athens, Haus der Kulturen der Welt and more. Liraz’s practice explores (post-) memory, decolonization, and feminist emancipation beyond white feminism and nationalism. She reclaims domestic labor as both an artistic and political act, challenging patriarchal narratives. Her methodology involves re-writing diasporic history by de-institutionalizing oral narratives and re-inventing symbols. Using the body, self-embroidered fabrics, organic fluids, and found objects, she transforms intimacy and domesticity into radical public acts. By positioning the body as a site of memory and knowledge transmission, she fosters new understandings of home, belonging, and resistance.
Jana Papenbroock grew up in New York and studied Audiovisual Media with a focus on nonfictional film at the Academy of Media Arts in Cologne. She works interdisciplinarily within the fields of film, video, theater, radio, media pedagogy and writing. Her areas of research include media ecology, collective authorship, anti/psychiatry, dis/ability and participatory, sustainable film practices. She is based in Berlin. Her performative and video works have been shown in cinemas, museums, theaters, educational and social contexts, galleries, radio stations and exhibition spaces. Her documentary films, mostly situated within the field of visual anthropology, have been screened and multiply awarded in international film festivals.
Eliana Pliskin Jacobs is a visual, conceptual, and performance artist, a circus performer, and a classically trained Yiddish singer. She holds a BA in Art History and Visual Arts from UBC Vancouver and an MFA from HEAD-Geneva. Since 2012, Eliana has performed and taught as a professional aerialist across North America and Europe. She has held artist residencies in Finland and Leipzig and has presented her work in solo and group exhibitions as well as performances in Leipzig, Berlin, Kemijärvi, Joutsa, Geneva, and Vancouver. As a singer, Eliana develops new Yiddish music and circus projects in Germany. Her artistic and performance practice is research-based, site-specific, and multidisciplinary.