
Robert Yerachmiel Sniderman (b. Philadelphia, 1986) makes interventions, essays, performances, poems, films, civic rituals, and installations with/in overwritten and denied places and materials, tracing local experience to and from entangled catastrophes. Often in collaboration with other artists and specific communities, his contributions establish difficult situations for durational contemplation and vernacular rites, manifesting a quiet language of intense proximity over time by tending accidents, anxieties, and memory.
Works include Lost in Jüdischer Friedhof Weißensee (2016–19); Night Herons (2020–21), recipient of the ING Polish Art Foundation Main Prize for 2024 Warsaw Gallery Weekend, created with Joanna Rajkowska; Wierzba Estery / Esther’s Willow (2018–), created with Katarzyna Sala and Marta Sala; يان الصعود الى السماء flight manifesto (2019–25), created with Dirar Kalash et al.; WE SEE / WIR SEHEN / ΕΜΕΙΣ ΒΛΕΠΟΥΜΕ (2023–25), created with Adi Liraz; and خاکی خەیاڵکراو Imagined Land Axê Xeyal Kirǐ (2023–), created with Nastaran Saremy.
These and other projects have been exhibited by 48 Stünden Neukölln (GE), Audain Gallery at Simon Fraser University (CA), De Kijkdoos Public Space (NL), FestivALT (PL), Lokal 30 (PL), Municipal Library of Chrzanów (PL), National Museum of Modern and Contemporary Art Seoul (KR), steirischer herbst (AT), SAHMAT (IND), and Western Gallery at Western Washington University (US); and supported by local institutions and organizations such as Canadian Kurdish Community Centre, Cascadia Deaf Nation (US), House of Taswir (GE), Irena and Mieczysław Mazaraki Museum (PL), Urban Memory Foundation (PL), and zapomniane (PL). Works are in the permanent collections of Arsenał Gallery in Białystok, ING Polish Art Foundation, and the Museum of Modern Art in Warsaw.
Yerachmiel Sniderman holds a Bachelor of Fine Arts from Pratt Institute and a Master of Fine Arts from Brown University, where at both institutions he studied poetics and playwriting. He is a PhD candidate in contemporary art at Simon Fraser University (CA) and an assistant professor in socially engaged art at Western Washington University (US), teaching experiential, participatory, peripatetic, and process-oriented studio seminars and global learning programs. In 2023-24, he served as Visiting Professor at the Institut für Kunst im Kontext (Institute for Art in Context), Universität der Künste (University of the Arts) Berlin.
Robert Yerachmiel Sniderman
Born in 1986 in Philadelphia, the United States of America
Resides and works in Bellingham, the United States of America
Education
2005-2009: BFA in Writing for Media, Publication, and Performance, Pratt Institute, Brooklyn, the United States of America
2010-2012: MFA in Literary Arts, Brown University, Providence, the United States of America
2019-2025 pending: PhD, Contemporary Art, Simon Fraser University, Vancouver, Canada
Teaching positions (select)
2022-present: Assistant Professor in Socially Engaged Art, Fairhaven College of Interdisciplinary Studies, Western Washington University, the United States of America
2023-2024: Visiting Professor, Institut für Kunst im Kontext (Institute for Art in Context), Universität der Künste (University of the Arts), Berlin, Germany
2021-2022, Teaching Professor in Socially Engaged Art, Fairhaven College of Interdisciplinary Studies, Western Washington University, the United States of America
2019-2021, Teaching Professor in Jewish American Studies, American Cultural Studies, Western Washington University, the United States of America
Solo exhibitions
2025, 'Robert Yerachmiel Sniderman: Walking in Ethnocidal Places', Audain Gallery, Simon Fraser University, Vancouver, Canada
2024, 'Joanna Rajkowska: Night Herons', Lokal 30, Warsaw, Poland
2024, 'Wierzba Estery / Esther's Willow' (with Katarzyna Sala, Marta Sala), MultiMemo: Multidirectional Memory, Remembering for Social Justice / Municipal Public Library of Chrzanów, Chrzanów, Poland
2022, 'Wierzba Estery / Esther's Willow' (with Katarzyna Sala, Marta Sala), 6th FestivALT: Arkhiv / CentrALT, Kraków, Poland
2019, 'Lost in Jüdischer Friedhof Weißensee', Western Gallery, Western Washington University, Bellingham, USA
2012, 'we hear same' (with David Bernstein), De Kijkdoos Public Space, Amsterdam, Netherlands
Group exhibitions
2025, 'Transdiaspora', 48 Stunden Neukölln Festival, Berlin, Germany
2025, 'The Body Called Palestine', SAHMAT, Delhi, India
2025, 'Art of the Moving Image: Polish Animation and Film Avant-Garde', Adam Mickiewicz Institute / National Museum of Modern and Contemporary Art Korea, Seoul, South Korea
2021, '5th FestivALT: New Realities and Possible Futures', Galicia Jewish Museum, Kraków, Poland
2020, 'steirischer herbst '20: Paranoia TV', Graz, Austria
2019, 'Jewish Geographies: Jewish Space in Contemporary Art', Center for the Arts, University at Buffalo, the United States of America
2018, 'Unidos por el Arte / United by Art: Humanized Nature', Galería del Consulado de México en Tucson, the United States of America
2009, 'Seeds of the Wild', Puffin Room Gallery, New York, the United States of America
Permanent Collections
Arsenał Gallery, Białystok, Poland
ING Polish Art Foundation, Warsaw, Poland
Museum of Modern Art, Warsaw, Poland
Screenings, performances, public projects (select)
2025 pending, ‘Axa Xeyal Kirin Imagined Land خاکی خەیاڵکراو (Oak's Night)’ (with Nastaran Saremy), Canadian Kurdish Community Center, Toronto, Canada
2025, ‘شهداء i דיבוקים’ (Dybbukim i Shuhada / Dybbuks and Martyrs)’ (dir. Joanna Rajkowska), Understanding Public Space: Innovative Methods and Concepts for Interdisciplinary Research, Urbanita, Institute of Contemporary History, Czech Academy of Sciences / Display Gallery, Prague, Czech Republic
2018-ongoing, ‘Wierzba Estery / Esther's Willow’, Irena and Mieczysaw Mazaraki Museum / Municipal Center of Culture of Chrzanów / FestivALT / Urban Memory Foundation / Fundacja Zapomniane, Chrzanów, Poland
2025, ‘شهداء i דיבוקים (Dybbukim i Shuhada / Dybbuks and Martyrs)’ (with Joanna Rajkowska, Julie Weitz), Never Again for Anyone Demonstration, Plac Wolnica, Kraków, Poland
2025, ‘Night Herons’ (with Joanna Rajkowska), Zachęta—National Gallery of Art, Warsaw, Poland
2019-2025, ‘بيان الصعود إلى السماء flight manifesto’ (with Dirar Kalash et al.), Whatcom County, the United States of America / Kafr Qari, State of Israel
2023, ‘I, Earth’ (dir. Joanna Rajkowska), New Performance Turku Biennale: Coming Together, Turku, Finland
2022, ‘Night Herons’ (with Joanna Rajkowska), Forum of the Future of Culture: Migrations and Climate, Arsenal Gallery, Białystok, Poland
2024, ‘WE SEE / WIR SEHEN / ΕΜΕΙΣ ΒΛΕΠΟΥΜΕ’ (with Adi Liraz, Eliana Pliskin Jacobs), Mavili Square, Ioannina, Greece / Westhafen, Berlin, Germany
2023, ‘DO NOT UPROOT’ (with Joanna Rajkowska, Grupa Granica), Charles de Gaulle Roundabout, Warsaw, Poland
2018, ‘Lost in Jüdischer Friedhof Weißensee’, Institut für Kunst im Kontext, German Academic Exchange Service (DAAD) / Universität der Künste, Berlin, Germany
2016, ‘Internal’ (with Perin McNelis), Exploded View Gallery, Tucson, the United States of America
2012, 'Voice Graffiti '(with Matthew Daniel), Granoff Center for the Arts, Brown University / Cathedral Square, Providence, the United States of America
2008, ‘Sleep Shit’, Ontological-Hysteric Theater, New York, the United States of America
2007, ‘Today's Vengeance’, Bowery Poetry Club, New York, the United States of America
Residencies, grants, & awards (select)
2024-2025, Thesis Completion Fellowship, Simon Fraser University, Canada
2024, ING Polish Art Foundation Main Prize (with Joanna Rajkowska, Lokal 30), Warsaw Gallery Weekend, Warsaw, Poland
2019-2023, Graduate Dean's Entrance Scholarship, Simon Fraser University, Canada
2018-2019, Curatorial Fellowship, Bruna Press + Archive, Bellingham, the United States of America
2018, Long-Term Research Grant, DAAD (German Academic Exchange Program) / Institut für Kunst im Kontext (Institute for Art in Context), Universität der Künste (University of the Arts), Berlin, Germany
2017, Chinati Foundation, Marfa, the United States of America
2017, Arizona Humanities Grant (with Yanara Friedland), Tucson Jewish History Museum, the United States of America
2013, Confrontation Poetry Prize, Long Island University, New York, the United States of America
2012, Creative Arts Council Grant, Granoff Center for the Arts, Brown University, Providence, the United States of America
2011, Jokowski Summer Research Award, Brown University, Providence, the United States of America
2010-2012, Graduate Fellowship, Literary Arts, Brown University, Providence, the United States of America
Publications by the artist (select)
"A Date Palm Against the Re-Deportation of Parables or Europe's Palestine Monument" in L'Internationale Online. L'Internationale / Museum of the Commons, 2025
"A Willow (Grave) That Knows a Felled Willow (Mourner) That Knew an Eradicated Square (Woman)" in Thinking through the Museum: Exhibiting Theory Volume #2: Difficult Heritage in an Age of Crises: A Guide to New Models for Sustainability, Community, and Engagement. Kraków: Jagiellonian University Press, 2025 (forthcoming)
"Using Salicin" in Breaking the Glass: A Contemporary Jewish Poetry Anthology. Maryville: GreenTower Press / The Laurel Review, 2023
...Joanna Rajkowska, "Night Herons" in Paranoia TV Catalogue. Köln: Verlag der Buchhandlung Walther und Franz König, 2021
"from MELEKHMELEKHMELEKHMELEKH: An Assimilation" in Omniverse (2018)
"from MELEKHMELEKHMELEKHMELEKH: An Assimilation" in Hold: A Journall (2018)
"Lyric Fermentation: A Practice" in Jacket2. Philadelphia: Kelly Writers House, 2017
"from CEDE", "Truesse, Unknown Worker, Charles", "Chaos and Rectification" in University of Toronto Journal of Jewish Thought. Toronto: University of Toronto Press, 2017
"anamnesis xvi", "anamnesis xvii", "anamnesis xviii" in The Colorado Review. Fort Collins: Colorado State University, 2016
"Im back (treatment center Georgia mts)" in Luna Luna (2016)
"Act III Conversation: Circumcision" in Denver Quarterly (2016)
"Fierce Light: from the unpublished manuscripts of besmilr brigham" in Evening Will Come (2017)
...Matthew Daniel, "Voice Graffiti" in Emergency Index Vol. 3. Brooklyn: Ugly Duckling Presse, 2013
Press, criticism, interviews (select)
Zofia Jabłonowska-Ratajska, “„Ślepowrony”, czyli wspólnota traumy” in Więź, 27 October 2024
Viktor Witkowski, "Following the Path of the Night Herons" in Most Magazine, 17 December 2024
Sarah Adler, "Do not uproot! Palestine will live!" in The Berlin Left, 21 January 2024
Artist talks, literary readings, interviews, academic presentations (select)
2025, ‘Un(re)mapping Sites of Difficult Histories: A Conversation Between Nastaran Saremy and Robert Yerachmiel Sniderman’, Robert Yerachmiel Sniderman: Walking in Ethnocidal Places, Audain Gallery, Simon Fraser University School for the Contemporary Art, Vancouver, Canada
2025, 'Yanara Friedland and Robert Sniderman', Creative Writing Reading Series, English Department, University of Colorado Boulder, the United States of America
2025, 'Night Herons' (with Joanna Rajkowska), Art of the Moving Image: Polish Animation and Film Avant-Garde, Adam Mickiewicz Institute / National Museum of Modern and Contemporary Art Korea, Seoul, South Korea
2024, ‘Works Against Genocide: Gaza, Shoah, Oak Anfal’, Department of Art and Art History / Fairhaven College of Interdisciplinary Studies, Western Washington University, Bellingham, the United States of America
2024, 'DO NOT UPROOT: Artists’ Talk on Palestine/Israel After October 7th' (with Joanna Rajkowska), Lokal 30, Warsaw, Poland
2023, 'Panel: Art, Activism, Memory' (with Omer Krieger, Tomer Zirkilevich, Felicitas Heimann-Jelinek, Natalia Romik), Art Activism Memory: Multidisciplinary Approaches to Difficult Heritage, NeDiPa (Negotiating Difficult Pasts Project) / POLIN Museum of the History of Polish Jews, Warsaw, Poland
2023, 'Panel: Refusing Straight Lines' (with Amanda Leigh Evans, Dr. Cleo Wölfe Hazard, Dr. Matt Reynolds), Flow: Art and Ecology in a Changing Climate Symposium, Kittredge Gallery, University of Puget Sound, Tacoma, the United States of America
2023, 'Tisch #28 with Robert Yerachmiel Sniderman: Artist's Notes on Luther', Tisch University / House of Taswir, Berlin, Germany
2023, ‘Planting Esther's Willow’ (with Katarzyna Sala), Baltisher Limmud, Limmud Europe, online
2022, 'Tisch #16 with Robert Yerachmiel Sniderman: Toward a Performance of the Undead at Karl Abraham's Grave', Tisch University / House of Taswir, Berlin, Germany
2022, 'Reading: Lisa Fishman, Natalie Lyalin, Eugene Ostashevsky, Robert Yerachmiel Sniderman', A Jewish Literary Sabbath: A Mini-Symposium, Woodland Pattern, Milwaukee, the United States of America (curator: Lewis Freedman)
2021, ‘Walking Interventions: Anida Yoeu Ali in Context’, Genesis I: The Red Chador by Anida Yoeu Ali. Western Gallery, Western Washington University, Bellingham, the United States of America
2019, 'Panel: Whereby the Present Haunts Itself' (with Yanara Friedland, Tom Haviv, Jane Wong), &Now Festival of Experimental Writing, University of Washington Bothell, Bothell, the United States of America
2017, 'Panel: Visual Occupations' (with Khaled Jarrar), The Ephemeral Archive: Thinking Its Presence Annual Conference, University of Arizona Poetry Center, Tucson, the United States of America
2016, 'Panel: Figuring the Outside' (with Sara Guyer, Peter France, David Miller, Elizabeth Reeder), Outside-in / Inside-out: A Festival of Outside and Subterranean Poetry, University of Glasgow, Glasgow, United Kingdom
Portrait by Cheong Kin Man.